A Peek Inside the Workings of an Independent Bookstore

interview by Sharon Blumberg

 

 

Nathan Montoya’s route to owning the charming Village Lights Bookstore in Madison, Indiana was anything but direct. After an interesting life that included driving a taxicab in New York City, working as a manager at the renowned Cafe Figaro in Greenwich Village, performing with the Martha Graham Ensemble and the Pearl Lang Dance Company, and then serving as ballet and modern dance master and resident choreographer for the dance companies of opera houses Germany, Nathan and his wife returned to the States and eventually settled into the role of bouquiniste, a dealer of secondhand books. He specializes in world religions, science fiction, poetry, literary fiction (for adults and children), and antiquarian tomes. He currently serves on the Board of Directors of the Great Lakes Independent Booksellers Association and the Award Panel for the Indiana Authors Award.

 

Village Lights Bookstore prides itself on having the ambiance of an independent store while offering the services of much larger establishments. Customers can buy both new and used books, and can order print, audio and ebooks through the store’s website, with 99 cent shipping on phyical products (or free in-store pick-up). The store also features antiquarian and rare book valuation, bookbinding and repair, poetry readings, author events, an art gallery, an 1897 Steinway grand piano, live music events, courtesy coffee, comfy chairs, free Wi-Fi, and three bookstore cats. In short, the kind of place where every author wants to spend a long afternoon.

 

If you’re an author hoping to set up an event with an independent bookseller, or an aspiring writer who is curious about what the young customers of independent stores are buying, Nathan Montoya offers some tips and advice below:

 

Sharon Blumberg: What kinds of books are popular with kids right now at Village Lights Bookstore?

 

Nathan Montoya: Children often come in looking for Scholastic books like the ones featured in school book fairs. Middle graders are reading all of the Harry Potter book series, the Warriors books by Erin Hunter, and books by Kate DiCamillo. Skila Brown’s novels in verse: Caminar, The Donner Party, and To Stay Alive. The graphic novels by Raina Telgemeier are also popular. These books are: Drama, Ghosts, Sisters, and Smile.

 

In young adults books, The Absolute Diary of a Part-Time Indian by Sherman Alexie is popular, as well as Lois Lowry’s five books in the series of The Giver, Mike Mullin’s Ashfall Trilogy, the Divergent and Hunger Games series, as well as classic science fiction by Ursula K. LeGuin and the Tripod trilogy by John Christoper. Dystopian books that have a message for teens sell well, such as the three-book XVI by Julia Carr, set in a future Chicago. Her stories which expose sexism and gender bias.

 

SB: Why do you think these books are selling right now?

 

NM: I would say because of the high adventure and inner messages they convey with young adults. The classics are always popular with children, because children have a high desire to read them along with enjoying the illustrations.

 

SB: Are there any types of books or subject matters that you wish authors would write more about?

 

NM: I like to stock books that nurture self-confidence and foster respect and compassion for one another. In younger readers, I like books that offer a sense of humor while not being preachy. Also, books that deal with issues of diversity are great. A fine example of this is Heather Has Two Mommies by Leslea Newman.

 

SB: Do you carry self-published books from local authors?

 

NM: I don’t accept self-published books by CreateSpace because they are part of Amazon, a big competitor of ours. But regarding other self-published books, we will accept wholesale distributors such as Baker & Taylor and IngramSpark.

 

Also, we will not accept books that convey the message of hate speech in any form.

 

SB: Do you have any advice for authors who are setting up book signings or live events in independent book stores?

 

NM: We’d like to know if the authors have a website. The authors need to do their research to see if our store is a good fit for them, and see what kinds of books we want to sell. There is also a form they can download on our site for carrying their books on consignment.

 

SB: What is the best way for an author to approach you for either setting up a live event or carrying their books in your stores? Do you prefer a one-sheet with book information, a press release, a review copy, etc.?

 

NM: They should use the form on our website. We are a mom and pop store with few workers, so we don’t accept review copies. For an author event, a one-sheet is fine. We don’t generally offer author events for self-published authors, but we do offer a mini author fair for self-published authors.

 

For author events we require a headshot of the author, a digital press release, and a one-sheet PDF.

 

 

So the next time you are passing through Madison, Indiana, stop in at Nathan’s cozy and quaint Village Lights Bookstore. You will encounter small-town hospitality and the ultimate book lover’s paradise!

 

Sharon Olivia Blumberg is a recently retired school teacher, having taught Spanish and English for over 20 years. In addition, she is a writer and voiceover artist. She is a contributing author to My First Year in the Classroom, edited and compiled by Stephen D. Rogers, Kids Imagination Train, Guardian Angel Ezine for Kids, Foster Focus, and Voya Magazine. Visit her website at: http://ift.tt/2pur6ni

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Writing Children’s Book Dialogue That Flows

On July 19th, renowned author and writing coach Teresa Funke will be hosting a live online workshop about crafting high-level dialogue for young readers.  We’ll have more details in the next few days.  Right now, to get the ball rolling, here’s a piece by Laura Backes that lays the groundwork for creating excellent dialogue.

 

 

Writing dialogue is something that should come naturally. After all, most of us spend at least a portion of each day in conversation with other people. But creating dialogue is more than simply transcribing actual speech. It’s even more complicated in children’s books, because the age of the reader must also be taken into consideration.

 

Written dialogue is a compressed form of real speech; it’s the meat of the conversation with all the fillers removed. Picture books and easy readers–books written for children ages eight and under–are told primarily through action, and the dialogue reflects this action. The characters’ speech in these books must give a sense of their personalities, but also clue the reader into what’s happening in the story. Just as plot has a forward direction, so must the dialogue.

 

In Arthur’s Loose Tooth, an easy reader by Lillian Hoban, Arthur’s dilemma is presented to the reader through a portion of a conversation with his sister:

 

“Guess what we are having for dessert,” said Violet. “It is your favorite treat! It is
taffy apples!” “Taffy apples!” said Arthur. “I can’t eat taffy apples with a loose tooth!
It might get stuck in the taffy!” “Well, if it gets stuck, you can pull it out,” said Violet.
“I don’t want to pull it out,” said Arthur.

 

Using simple, complete sentences necessary in an easy reader, the author has revealed the story’s action through natural-sounding dialogue. As stories get longer and more complicated, the back-and-forth chatter between characters can be less linear. In real life, each person bring his or her own viewpoint into the conversation and gets something different out of the exchange. Allowing the dialogue to bounce around naturally can add humor to the scene and go a long way toward character development. However, the author still needs to be mindful of giving the reader new information that supports the plot.

 

In this excerpt from Marvin Redpost: Alone in His Teacher’s House, a chapter book for ages 6-9 by Louis Sachar, Marvin is dog sitting for his third grade teacher:

 

“Let me see the key,” said Stuart. “Did you look in her closet?” asked Nick. “No,” said
Marvin. Why would he look in her closet? “How about her refrigerator?” asked Nick.
“Did you at least look in her refrigerator?” “Let me see the key,” Stuart said again.
“How about her bathroom?” asked Nick. “I don’t remember,” said Marvin. “You don’t
remember if you saw her bathroom?” asked Nick. “Let me see the key,” said Stuart.

 

Dialogue is a chance for the character to speak in his own voice. But real dialogue is not exclusively something that’s said out loud. The speaker is also carrying on an internal conversation at the same time. In middle grade and young adult novels, this inner dialogue of the main (viewpoint) character can also be shown to the reader. It’s the author’s perfect chance to allow the character to divulge deeper elements of her personality without stopping the forward movement of the plot.

 

Rachel Vail’s The Friendship Ring series offers terrific examples of seventh grade dialogue. In this excerpt from Zoe, the first book in the series, Zoe and a classmate are talking about best friends:

 

“Well,” CJ said slowly. “I was best friends with Gideon Weld when we were little, but
then, you know, we figured out he was a boy and I was a girl, so that ended that.”
“Right,” I said, like obviously you couldn’t be best friends with a boy. I’m just friends
with anybody. Nothing of my own. Why didn’t that ever bother me before? “And since
fourth grade, it’s been Morgan, although, sometimes, lately, I feel like she doesn’t
understand me,” CJ whispered. “But yeah, I guess it’s Morgan. Who’s yours?” “I don’t
know.” I faced away from her, toward the door, and folded my pillow over. “I don’t
have one.”

 

Strong written dialogue that’s convincing and interesting is so much more than the words that come out of characters’ mouths. How a character speaks–complete with pauses and sentence fragments–can show his emotional state. How a character moves while talking adds layers of meaning to the dialogue. The setting within which the conversation takes place can affect the discourse. Dialogue is intricately connected to every other element of writing, and only when it’s seamlessly woven into the fabric of the story does the book become whole.

 

 

 

 

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‘The Best Things in Life Are on the Other Side of Terror’

If fear is holding you back from pursuing your dreams, listen to what Will Smith has to say.

 

 

 

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