Traditional Writer Versus Indie Writer

By Guest Author

by Tracy Bryan

 

When a writer — whether a traditional writer or an indie writer — imagines a story, they usually can’t wait to bring it to life somehow. Most writers need to get it out of their head and put it somewhere else — on paper, in their computer, even at the bottom of a grocery list.

 

This is just the beginning of the creative process that the typical writer practices. Writers create art in the form of words. Some writers have great art and some writers not so much. The point is, all writers create something and they go through a process in order to create it.

 

This commonality that writers share gives them a reason to celebrate… together.

 

Unfortunately, like most human activities in life, there is competition. In the publishing world, where writers live, competition exists between other writers, between writers and agents, between writers and editors, and between writers and publishers.

 

There are so many elements of the publishing world that work against the common goal of most writers and their creative process. Competition is just one element that breeds negativity among writers. Publisher’s demands, editor’s needs and agent’s requests, are other elements that all get it the way of the creative process. Not to mention the cesspool of marketing schemes that writers need to solely wade through in order to find reputable ways of promoting their works. Who can a writer trust?

 

Finally, there is the reader. Even our readers (sometimes unintentionally) can be threatening to us. One bad review can diminish the creative and fragile process that we have tried to create.

 

So, how can we as writers make a difference and not succumb to the peril and rivalry of the publishing world?

 

Support each other.

 

It’s that simple. No one writer is expected to love every single work of another writer, but snubbing them is not a solution. Every writer should strive to create the highest level of excellence that they are capable of, while inspiring this in other writers, particularly new writers. This support is also an important part of the process.

 

Clique-ing together in a group of creators, and excluding certain creators because they are different, unique or unskilled, just isn’t acceptable behavior. In a way, this is bullying. Creators are a sensitive bunch for the most part, especially writers. Remember, they are pulling words out of their head and forming it together in hopes of creating something. This leaves them vulnerable, insecure at times and hyper sensitive to criticism.

 

The golden rule of ‘treating someone like you want to be treated’ seems like a good way to start in trying to solidify a positive union among writers. Wouldn’t this be great? We would have writers everywhere sticking up for one another, merely because they have empathy and respect for each other. Try mentoring a writer who is not already a part of your writing community or empower in a writer who is less experienced than you helpful techniques that they can benefit from.

 

Another form of support is to break down the walls of exclusion. This is everywhere. A writer being excluded from a contest, critique group, writing organization or review forum, and/or marketing opportunity simply because they don’t write a specific genre, or they don’t publish in a particular way, or they don’t have enough educational credentials. Wall, wall, wall. We have to stop labeling people!

 

The publishing world is still in a constant flux. Indie publishing is still on the rise and more writers are considering self-publishing. Traditional publishing houses are merging together and/or forcing some smaller presses out of the industry. Writers are being faced with the dilemma of having to decide which route to take and in some cases, which side to be on. Overall, they are at most times left with the responsibilities of designing their own marketing plan. All of this combined causes competition in the market and a rift among guess who… the writers.

 

Are there more ways that we can eliminate this rift? Possibly. If writers stick together, pull each other up, and use our creative energies together, we may just create a nurturing place to create. A place where we can all overcome the threatening elements of the publishing world. A place of happiness, where each of us reaches a level of success that we are all worthy of.

 

Together, let’s try to create an almost perfect, creative world.

 

Tracy Bryan is an award winning self-published author for kids aged 4-12. She writes whimsical non-fiction picture books about emotions, coping skills, mental health and mindfulness. Currently, Tracy has just released her debut fiction picture book called Put Away Your Phone!  View the book trailer.

 

Tracy writes a monthly personal Blog for adults on her website and one for kids aged 6-12 called The Awesomeness Blog. Follow her on Facebook, Twitter, Goodreads & Amazon. To learn more about Tracy or contact her, please email tracy@tracybryan.com or visit her website tracybryan.com. 

This is a post from writeforkids.org. Read the original post: Traditional Writer Versus Indie Writer

Why I Write Teen Books with Diverse Characters

By Guest Author

by Michael J. Bowler

 

As a high school teacher for twenty-five years, I primarily taught kids of color. And yet, in the books and stories we read, almost all of the characters were Caucasian, and most with reasonably stable home lives. I decided as an author to write about the kids I knew best – kids of color, gay kids, marginalized kids, poor kids, kids with disabilities, gang members, and incarcerated kids – because I want all youth to see themselves represented in a positive light within the pages of teen literature.

 

To that end, I crafted a five-book series called The Children of the Knight Cycle that takes a fantasy concept – King Arthur resurrected in modern-day Los Angeles – and uses it to showcase a laundry list of crimes this society perpetrates against kids who don’t “fit the norm,” or won’t be shoehorned into the “one size fits all” mentality of public education, or don’t want to be a mini-me version of their parents. Virtually all the main characters in my series are teens of color, including Native Americans. Some of them are gay. But all are dynamic, memorable individuals that readers can relate to. Every day in America such kids are kicked to the curb. We don’t want them in our homes or classrooms or in our books. We’d rather they just disappear. In recent decades, we’ve decided we like putting them in prison. A staggering number of states incarcerate children younger than ten and charge them as adults for imitating the anti-social examples of adults, or for copying illicit behaviors popular media models every day.

 

I present these kids as real human beings with the same hopes, fears, needs, and wants as everyone else. My characters benefit from adults who choose to love them no matter what and who show them how to do what’s right, rather than what’s easy. The kids learn that every one of them can make a positive difference in this world, and that’s a message the students in my urban, working-class high school seldom got from the books I was forced to teach them. In those books, only “white” kids succeeded.

 

In my teen horror thriller, Spinner, I highlight the other forgotten kids I taught for many years – those with disabilities. These kids tend to be the most overlooked of all high schoolers because it is “assumed” by adults that they will never amount to much in life. Kids with physical or learning disabilities are no different from those without them – they can learn and achieve, but maybe not in the same cookie-cutter fashion teachers like to employ. I know what I’m talking about because I have a disability of my own – hearing loss. I’ve lived with a severe sensorineural hearing impairment my whole life, and did not even have access to hearing aids until I was in college.

 

I also didn’t know a single kid with hearing loss until after graduate school. I was one of a kind growing up, and that can be a very isolating feeling. However, my isolated childhood gave me true empathy for every youngster who is “different” in some way, and likely directed me to seek out such kids and work with them. After graduate school, I joined the Big Brothers Big Sisters program, wherein adults mentor kids with no father in the home. I was matched to a 14-year-old boy with hearing loss, and the experience was revelatory. Even as an adult, the relief, almost, that I felt to finally know someone who grew up like me was palpable. Imagine what it’s like for kids like me to see themselves in books they read, to understand that they aren’t alone or broken or crippled, to see hope for their lives because they see others like them achieving greatness. We all need to know that being different is not wrong. In fact, being apart from the norm is most often a net positive. My disability never defined me, and I want kids to see that theirs don’t define them, either.

 

We spend way too much time in this country focusing on what we perceive to be the weaknesses or differences in others. The teen characters in my books prove that our strengths always outweigh our weaknesses, and our diversity, i.e. our differentness, is to be celebrated, not hidden away. If more adults would focus on the natural talents and gifts of kids instead of always trying to make everyone “fit in,” then all children would have a real chance to soar. As a writer of teen lit, my goal is to empower every kid, not just the ones most Americans “look like.” Hopefully, other authors will do the same.

 

Visit Michael J. Bowler’s website here, check out his Facebook page, and follow him on Twitter @BradleyWallaceM.

This is a post from writeforkids.org. Read the original post: Why I Write Teen Books with Diverse Characters

We Need More Diverse Books!

By Guest Author

by Tracy Bryan

 

I am a relatively new children’s author, but from where I stand, (way down here looking up) there seems to have been a lot of transition within children’s literature over the last few years.

 

This isn’t news to any seasoned veteran of the industry, but to a novice like me, it has been quite overwhelming joining this almost circus-like trade. I seem to witness a constant flux in the publication world every week due to major changes in traditional publishing, the rise of Amazon, the growth of e-books and the emergence of vanity publishers. You can’t hold me back though, now that I’ve had a taste of it, I’m here to stay and changes I intend to (hopefully) make.

 

Why more changes? Although there are many beautifully illustrated and well-written books in the current children’s book market, the majority of these books lack diversity in their characters and theme. Why do we need more diversity in these books? While people, families and the world become increasingly more diverse, so does the need for books that children can actually relate to.

 

I belong to several writing organizations- regional and national. I attend writing conferences, follow many social media groups and try to stay current with any news in the children’s publishing industry. As a contributing and informed member of the children’s literature industry, I believe we all have our hearts in the right place and we have good intentions. My Facebook groups alone have some incredibly passionate, insightful and genuinely remarkable authors, illustrators and children’s book industry people- there is definitely a “diversity movement” that continues to grow in this writing community. Yet…where are all the diverse books?

 

Regardless of how many trendy literacy campaigns that are being run and how many times we use this new “buzz word”- diversity is still quite a stigma in North America and many parts of the world. We have a long way to go in society as a whole, so it may be time to kick it up a notch and inspire more diversity in the books that we write.

 

I myself am a straight, white, middle class, female- not exactly your first pick as an appropriate mascot or ally for people of diversity! However, I am also open-minded, compassionate, non- judgmental, daring, spirited and willing to think outside the box! I aspire to write about what matters in this world- people. There really are so many wonderful children’s books out there that do inspire and entertain kids, some even have a great message–but there could be so many more books that offer much more honesty in terms of diversity with people.

 

Why are there so many picture books that explain people problems and issues through the use of cute animals? To not have a more direct approach of storytelling about these difficult topics is almost a little insulting to kids. These are the same kids that are living in families of diversity, going to schools of diversity and living everyday life diversely-why wouldn’t they want to read books that are more diverse?

 

It’s okay to demonstrate to them that all people have problems, issues and shortcomings. We all do! The important message to these kids should be how we accept and cope with these challenges within ourselves and in others –that’s what matters. If we can teach them to accept their differences and accept other people’s differences as well, there will be a lot less discrimination, labeling and shame in the world. Diversity will be the constant.

 

Is this too idealistic? Maybe, maybe not… Perhaps if we start publishing books for kids that guide them in real life and with real people, they may just grow up to be well adjusted, less stressed, non anxious or depressed and be able to conquer and embrace their limitations and appreciate the same in other people.

 

I write mostly about self-esteem building, mindfulness, emotions and generally I try to inform kids about ways to cope with their problems and how to find simple happiness in life. Ironically, my best selling books this year have been about how to understand anxiety. That’s scary! I wish that more kids could relate to the cute animals, but unfortunately, the current children need to be reassured and to read that it’s okay to be different, in fact it’s quite wonderful!

 

What the children’s literature market needs are books that address all the topics that currently effect kids – regardless of how uncomfortable they are to discuss. We need to demonstrate to kids how to recognize people for who they are, not what they are. Furthermore, kids need to be reminded that all people are similar, yet so totally, awesomely different from each other- so diverse. Now let’s stop talking and start writing- let’s inspire them!

 

Tracy Bryan is a self-published children’s book author. She writes whimsical picture books that teach and inspire children of all ages. Tracy specializes in writing about self-esteem, life skills, social issues and diversity. To preview any of her books please visit her at tracybryan.com. Tracy can also be found at TracyBryanAuthor on Facebook.

This is a post from writeforkids.org. Read the original post: We Need More Diverse Books!

Terrified by Marketing? Then Don’t. Do This Instead…

By Jon Bard

I get it.  You’re a writer, not a marketer.  You’re not excited by the notion of “hawking your wares” or “pushing your book”.  You think that, every time you ask someone for money, a little piece of your soul dissolves.

 

In today’s publishing environment, those who get the shakes at the thought of self-promotion have been given two choices when it comes to their fear of book marketing:

 

1. Get Over It

2. Become extinct.

 

May I offer a third choice?

 

 

Forget about book marketing, forget about promotion, forget about selling.

 

 

Instead, focus on advocating.

 

 

Here’s what I mean:

 

You’ve written (or you’re planning to write) a book, app or eBook that will bring something meaningful to the life of readers. Perhaps you have a message to share, important information to teach, an inspirational tale to tell or you just want to give your new friends a few giggles to brighten a day.
That’s a pretty important contribution, and it deserves to flourish.

 

So let me ask you this: How, exactly, will that reader ever be impacted by your work if no one tells her about it? How will her life be changed by your words if you keep everything to yourself?

 

It’s up to you to reach her. In fact, you’re doing her a great disservice by not reaching her!

 

How do you reach her? By marketing. No, scratch that — by advocating for your work.

 

By bringing people together with a goal not only to sell your book, but to improve their life experience. By going to where your prospective readers are hanging out (or, perhaps where their parents are hanging out) and becoming part of their world. (And then having them become part of your world.) By moving forward with a certainty that you have something important to share and you’re bound and determined to share it.

 

Let me be clear:  if you have created something that will enhance another person’s life, you owe it to them to tell them about it!

 

If you’re truly a writer, the opportunity to advocate for yourself and your work should thrill you.  Heck – it’s right in your wheelhouse.  You’re a communicator, and this is about communication.  You’re a wordsmith, and this is about putting words together on a  blog, on Facebook and on Twitter.  You love young people, and this is a further opportunity to connect with them and learn from them.

 

What’s so scary about that?  In fact, if you’re like most writers, you’ll find that advocating for your work is rewarding, fun and full of surprises.

 

So, there it is — if you’re not cut out to be a marketer, then don’t become one.  Instead, become an advocate.

 

And then go change the world!

 

 

Tomorrow, I’ll be back with an exclusive video sneak peek from my new course Easy Author Marketing.  I think it will really open your eyes — so stay tuned!

 

 

 

This is a post from writeforkids.org. Read the original post: Terrified by Marketing? Then Don’t. Do This Instead…